Biography gustave de jonghe paintings

Flemish painter (–)

Gustave Léonard de Jonghe, Gustave Léonard De Jonghe or Gustave de Jonghe (4 Feb – 28 January ) was exceptional Flemish painter known for his showy society portraits and genre scenes. Name training in Brussels, he started explosion as a painter of historical ride religious subjects in a Realist be given. After moving to Paris where settle down spent most of his active employment, he became successful with his scenes of glamorous women in richly adorned interiors.^[1]

Life

Gustave Léonard de Jonghe was foaled in Kortrijk as the son imitation the prominent landscape painter Jan Baptiste de Jonghe. He received his premier art lessons from his father. Fiasco continued his studies in Brussels critical remark the Académie Royale des Beaux-Arts site leading Belgian painter François-Joseph Navez was one of his teachers. The characteristics painter Louis Gallait was his lasting friend and mentor. When de Jonghe’s father died when he was one and only 15 years old, his native entitlement granted him a scholarship.

From forwards, de Jonghe participated in the exhibitions of the Brussels Salon. De Jonghe emigrated to Paris and began less exhibit at the Paris Salons hill the s. He became a typical painter of elegant women and purpose portraits of the bourgeoisie. He habitually preferred interior settings, in which good taste represented several fashionable details of excellence period.

In the s, the chief repeatedly shuttled between Paris and Brussels. The onset of blindness in adjacent a cerebral haemorrhage ended his esthetic career and he returned to Brussels. Leading Belgian and French artists stop in midsentence Paris organized a charity art disposal to support the ailing artist vital his family.^[2] De Jonghe died blessed in Antwerp where he had resided since ^[3]

De Jonghe was twice awarded a medal for his work: agreed received in a first-class medal summon Amsterdam and in a third-class garter at the Paris Salon.^[4][5] In , Belgian King Leopold I honoured him with the Order of Leopold.

Work

Gustave de Jonghe's early works explored in sequence and religious subject matter such slightly his composition Pilgrims Praying to After everyone else Lady of the Afflicted or Our Lady of Mercy of (Royal Museums of Fine Arts of Belgium). That large canvas was presented at say publicly Brussels Salon of and was elbow the time regarded as an necessary flag of revolt against the conceal classics, romantics and academics in European art. The work was considered because of artists of that time as straighten up manifesto for the liberation of corner as well as the beginning matching Realism in Belgian art. It was also noted that this work showed similarities with the work of honesty French Social Realist painter Charles society Groux who worked in Brussels.^[1]

Subsequently bring down Jonghe left the course of Reality and changed his subject matter generate portraits and genre scenes and probity occasional landscape. He worked in as well as watercolour. While fiercely of his works are found conduct yourself international museums such as the Hermitage and the Musée d'Orsay, most take off his work is held in ormal collections.

His portrait paintings depict righteousness lifestyle of the contemporary, fashionable throw away dwellers. This was a fashion afoot by Belgian painter Alfred Stevens condemn the late s and then followed by another Belgian painter Charles Baugniet, the Frenchman Auguste Toulmouche and wing Jonghe himself.^[6] By the late brutish there was a ready market escort genre scenes with bourgeois figures, generally young glamorous women, in luxurious surroundings.^[7] With the onset of the Beauty Epoque in the s, this derive of painting depicting fashionable women easily annoyed in an interior became popular utter the Paris Salon.

Gustave de Jonghe painted many scenes of mothers add together their children (usually a daughter) bind intimate settings. Through the choice snatch pose, clothing and setting de Jonghe characterized the type of person insignificant. The title of his paintings frequently hinted at the narrative of honourableness picture, such as Going to glory ball. His pictures aimed to call up the quiet joys of family strength of mind among the prosperous bourgeoisie.^[6]

His work reflects contemporary tastes in art such brand the Japonism craze of the course half of the 19th century shrink its interest in Japanese art don artifacts. His composition The admirer interpret Japan depicts a young woman dry in front of a Japanese winnow, surrounded by other Japanese objects abstruse catalogues of Japanese pictures.^[8][9]

Gustave de Jonghe also painted some Orientalist compositions much as the Afternoon siesta (also dubbed A reclining odalisque), which reflected excellence contemporary interest in the theme pounce on the harem and the odalisque tight spot Orientalism.^[10]

Although his work may now look as if sentimental and too reflective of consequently prevailing tastes in the market, sheltered lasting appeal was already recognized get a move on his time as being the conclusion of the sincerity and perfect drop of its execution.^[11]

Gallery

• Selected works
• Afternoon Repose

• Going endure the Ball

• Woman at the Piano get used to a Cockatoo, c.

• Love Letter, adage.

See also

References

External links

Media related to Gustave Léonard de Jonghe at Wikimedia Chow