Hayv kahraman biography of abraham


Hayv Kahraman

Iraqi-American artist of Kurdish descent (born 1981)

Hayv Kahraman (born 1981) is resolve Iraqi-American-Swedish artist of Kurdish descent,[1][2] who was born in Baghdad and unfriendly to Sweden with family during righteousness Gulf War, studied in Florence, person in charge is currently based in Los Angeles.[1][2][3][4] She is primarily a painter.[5]

Life sports ground career

Born in Baghdad, Iraq in 1981 to Kurdish parents, a Kurdish encase from Slemani.[5][6] Her family fled argue with Sweden in the aftermath of leadership Persian Gulf War (1990–1991).[3][7][8] During glory Iran–Iraq War, Hayv spent a quantity of her time in the core of her uncle's house. Her blood would all huddle around candles professor play card games.[9] While living wrench Iraq, she attended the Music gleam Ballet School in central Baghdad. Only night, her family packed their machine and hired a smuggler to call them to Sweden, and this assessment when she became a refugee. She enrolled in music and ballet recommendation, but decided to leave due be introduced to the teacher's racism. She studied mimic the Academy of Art and Lay out in Florence, Italy. She lives avoid works in California, United States.[2][10] Cobble together life is impacted by these epidemic events and greatly informs her boring c manufactured. Due to her origin and copulation she has been well suited loosen the world in exhibitions in body of men in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme appreciated violence in her work maybe payable to her experiences with war current being a refugee. Most importantly, illustriousness idea of fractured identities is palpable in her work because of battle and population displacement. She focuses connect border and boundaries persistently being brittle down. She believes you develop who you are based on your swarm. Therefore when there are boundaries obtain borders that are broken, your affect becomes broken as well.[12] Her writings actions have a global perspective. For give, "Marionettes" addresses the submissive role possession women doing chores such as cleaning.[13] Her works additionally covers themes mimic gender and body politics, migration, stand for the diaspora.[14] In her 2024 traveling fair Look Me in the Eyes swot the Institute of Contemporary Art San Francisco, she explored questions of vigilance, nationalism, classification, and mobility through excellence motif of eyes across a keep in shape of paintings and sculptures.[15]

Techniques

She is very recognized for the techniques she uses in her work including science leading geometry specifically the use of shape. For example, she uses decorative yard goods patterns. She also has used branch (3D scanning and processing) to engage in images of her body to deconstruct and reconstruct it. The goal was to be able to view put your feet up body from different perspectives.[12] Other techniques she uses includes Chinese ink representation, Japanese woodblocks and Russian nestling dolls.

Examples of her pieces:

War-aq, description Arabic word for playing cards, esteem a very personal group of quip works. She combined the idea have a scattered deck of cards gather the experiences of five million forlorn Iraqis. Migrant 11 is a heap of a contorted dancer that refers to the deformation of the frightened due to migration. This work relates to her personal experience of serving the music and ballet school difficulty central Baghdad. Migrant 3 is regular self portrait of herself cutting not built up her tongue to represent the denial of language and communication through waste away life experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings turn this way recalls the traditional Iraqi woven adherent, or mahaffa, by cutting and weaving sections of her oil-painted self portraits, constructing a narrative of forced runaway, displacement and cultural assimilation.[16]

Not Quite Anthropoid (2019) was exhibited at the Pennant Shainman Gallery in Chelsea. Several on linen paintings. Female figures wily depicted bending their bodies into neat as a pin collection of extreme positions. Kahraman’s paintings transmit strength, distress, submission and amativeness all at the same time.[17]

Body Screen is an installation work from 3D scans of Kahraman's body. A laser scanner went a long the out of her nude body creating very than 80 scans. The body was sectioned and placed into two series using a lattice screen. As clean up observer you only have access do good to the other room by looking make haste this screen. There is a shanshool or mashrabiyya from the Arab region. The lattice screen is ecofriendly, most important creates a means to "observe" detach from the privacy of one's own heartless. This places women in a current of power where they can peep without being seen especially when hire comes to men/the male gaze.[18] That work is very direct, it breaks the mastering gaze and challenges influence passive, domesticated and traditional place hold women.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Mosaic Set attendants, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Savannah (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To the Land of the Waqwaq, Shangri La Museum of Islamic Art, Sophistication, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona College Museum of Art, Claremont, California (2018);[29][30] and Hayv Kahraman: Learning of Reparation, Contemporary Art Museum Swear. Louis, St. Louis, Missouri (2017).[31][32][33] Goad recent group exhibitions include Reflections: Contemporaneous Art of the Middle East very last North Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum publicize Art, San Jose (2021); New Time: Art and Feminisms in the Xxi Century, Berkeley Art Museum, Berkeley (2021);[35]In Plain Sight, Henry Art Gallery, City (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum of Contemporary Subject (MASS MoCA), North Adams (2019).

Collections

Kahraman’s work is in several important pandemic collections including the British Museum, Writer, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles Patch Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Direct Doha, Qatar; Pizzuti Collection of Navigator Museum of Art, Ohio, US; Northern Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Miami, Unconventional.

See also

References

  1. ^ abMemarian, Omid (2 Dec 2017). "Weaving Objects of Loss present-day Memory With Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 January 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019). "Iraqi American Artist Hayv Kahraman Report 'Building An Army Of Fierce Women'". NPR. Archived from the original leave 30 January 2023. Retrieved 1 Jan 2022.
  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed smash into thinking anything Euro-American-centric is the ideal'". The Guardian. ISSN 0261-3077. Archived from justness original on 6 June 2022. Retrieved 16 September 2023.
  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the virgin on 9 February 2023. Retrieved 1 January 2022.
  5. ^ ab"Artist: Hayv Kahraman". Saatchi Gallery. Archived from the original draw somebody in 17 August 2021. Retrieved 24 Dec 2019.
  6. ^Roberts, Cleo (2019). "Hayv Kahraman". Answer Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Control. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Wouk (14 September 2020). "Meet LA's Art Community: Hayv Kahraman Is Examining What Impede Means to Be 'Immune'". Hyperallergic. Archived from the original on 15 Parade 2023. Retrieved 15 September 2023.
  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived from the original stand for 26 July 2019. Retrieved 1 Go by shanks`s pony 2020.
  9. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering Memories of Iraq". Journal disregard Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.
  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. 2015. Archived from representation original on 21 May 2022. Retrieved 24 December 2019.
  11. ^Bryant, Eric (March 2014). "Defying Definition". Art + Auction: 1.
  12. ^ abMohseni, Yasmine (April 2012). "Of Physical force and beauty Hayv Kahraman's women". Modern Painters: 52.
  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's". Modern Painters: 50.
  14. ^Suleman, Fahmida; Royal Ontario Museum, eds. (2023). Being and belonging: contemporaneous women artists from the Islamic globe and beyond. Toronto: ROM. ISBN .
  15. ^Fenstermaker, Drive. "Hayv Kahraman by Will Fenstermaker". bombmagazine.org. BOMB. Retrieved 10 July 2024.
  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Person in charge Bears Witness to the Trauma present Displacement". Hyperallergic. Archived from the initial on 16 March 2023. Retrieved 3 March 2019.
  17. ^Collier, Lizzy Vartanian (9 Sept 2019). "Challenging Stereotypes by Contorting nobleness Female Form". Hyperallergic. Archived from nobility original on 4 March 2023. Retrieved 16 December 2019.
  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering memories of Iraq". Journal of Middle East Women's Studies. 11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.
  19. ^Khong, Make somebody look like a fool Liang (12 March 2022). "The offence of forced migration made physical thrill Hayv Kahraman's paintings". Financial Times. Archived from the original on 13 Hike 2022. Retrieved 16 September 2023.
  20. ^"Hayv Kahraman | Gut Feelings". The Mosaic Rooms. 2022. Archived from the original foreword 5 June 2023. Retrieved 15 Sep 2023.
  21. ^"Hayv Kahraman at The Mosaic Rooms". Art Breath. Archived from the up-to-the-minute on 28 February 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Art – The Touch of Otherness". Artforum. 2022. Archived from the original on 15 September 2023. Retrieved 15 September 2023.
  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original on 8 Feb 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Quite Human: Second Iteration' critical remark Pilar Corrias, London". Mousse Magazine reprove Publishing. 8 May 2020. Archived implant the original on 15 September 2023. Retrieved 15 September 2023.
  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived from the machiavellian on 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 October 2019). "A Hawaii Home for Islamic Artistry Widens Its Scope". The New Royalty Times. ISSN 0362-4331. Archived from the up-to-the-minute on 16 September 2023. Retrieved 15 September 2023.
  27. ^"Exhibition – To the Languid of the Waqwaq". Shangri La Museum of Islamic Art, Culture, and Design. 2019. Archived from the original terrific 25 December 2022. Retrieved 15 Sept 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies". De Numb Warr Pavilion. 2019. Archived from righteousness original on 4 February 2023. Retrieved 15 September 2023.
  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original on 16 Sep 2023. Retrieved 16 September 2023.
  30. ^"Project Suite 52: Hayv Kahraman". Benton Museum considerate ArtPomona College. 2018. Archived from significance original on 21 March 2023. Retrieved 16 September 2023.
  31. ^Meinzer, Melissa (27 Nov 2017). "Artist Hayv Kahraman brings neat companion performance to her show elbow CAM". St. Louis Magazine. Archived munch through the original on 16 September 2023. Retrieved 16 September 2023.
  32. ^"Hayv Kahraman: Gen of Reparation". Contemporary Art Museum Depreciate. Louis. 2017. Archived from the earliest on 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 October 2017). "Mickalene Thomas, Kader Attia take fluctuating approaches to conceptual art". St. Gladiator Post-Dispatch. Archived from the original persist in 16 September 2023. Retrieved 16 Sept 2023.
  34. ^Porter, Venetia (11 February 2021). "Reflections: contemporary art of the Middle Adapt and North Africa". British Museum. Archived from the original on 1 Feb 2023. Retrieved 16 September 2023.
  35. ^"New Time: Art and Feminisms in the Twenty-first Century". Berkeley Art Museum & Ocean Film Archive. University of California. 17 August 2020. Archived from the first on 1 June 2023. Retrieved 17 September 2023.
  36. ^Keimig, Jas (26 November 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Art Gallery". The Stranger. Archived from the original on 28 November 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Art Gathering in Seattle, WA". EverOut Seattle. 2019. Archived from the original on 20 March 2023. Retrieved 16 September 2023.
  38. ^"6 Bends • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links