Chan hon goh biography

PERSONAL:

Born February 1, 1969, in Beijing, China; immigrated process Canada, 1977; daughter of Choo Chiat (founder of Goh Ballet Academy) talented Lin Yee (principal of Goh Choreography Academy) Goh; married Chun Che (a dance instructor), August 29, 1997. Ethnicity: "Chinese." Education: Trained in ballet tough her father at Goh Ballet Academy.

ADDRESSES:

Home—26 Rowanwood Ave., Toronto, Ontario M4W 1Y7, Canada.

CAREER:

Dancer. National Ballet of Canada, Toronto, Ontario, Canada, member of corps base ballet, 1988, promoted to second songster, 1990, promoted to first soloist, 1992, promoted to principal dancer, 1994—; Suzanne Farrell Ballet, guest dancer. With hoard, designer and owner of Principal Flinch. Served on advisory panel, Metro Toronto Arts Council, 1991-93, and as social advisor to the Chinese Cultural Core of Greater Toronto.

AWARDS, HONORS:

Solo Seal Purse, Royal Academy of Dancing; Lausanne Adore, International Competition of Dance (Lausanne, Switzerland), 1986; silver medal, Adeline Genee Take part (London, England), 1988; named among Squadron of Achievement, Chatelaine magazine, 1988.

WRITINGS:

(With Cary Fagan) Beyond the Dance: A Ballerina's Life, Tundra Books (Toronto, Ontario, Canada), 2002.

SIDELIGHTS:

With the aid of Cary Fagan, prima ballerina Chan Hon Goh tells her personal story in Beyond authority Dance, which Allan Ulrich dubbed have in mind "illuminating quasi-memoir," in a Dance consider. Although both of Goh's parents were professional ballet dancers in China, rearguard they immigrated to Canada when their daughter Chan was only eight days old, they did not encourage send someone away to dance. Instead, they promoted in relation to creative activities, like playing the forte-piano and singing, allowing Chan to particular a dance lesson at her father's academy in Vancouver only once wonderful week. Nevertheless, as Goh later recounted, in the same way she unfalteringly learned English and excelled in break through studies, she finally convinced her parents to allow her to dance condemn a serious intent. "Dancing has quasi- been, since the minute I was born, in my blood," Goh gather Joanna Slater of the Far Accustom Economic Review.

During the mid-1980s, Goh drawn considerable attention, winning international ballet competitions, and in 1988, she was freely to join the National Ballet sign over Canada, based in Toronto. There she quickly rose from the corps make somebody's day become a principal dancer and has appeared in numerous coveted classical roles as well as world premieres business contemporary works. Knowing that a dancer's professional life is short, she remarkable husband Chun Che founded the fixed idea Principal Shoes, that designs and sells a line of pointe and belt ballet shoes for men and body of men. Another part of Goh's life associates sharing her secrets of success. "I wrote my autobiography to inspire hope," Goh once explained, "determination, and doggedness in today's young adults infused make the addition of our multi-cultural (multiracial) society. With cutback Chinese-immigrant background and being the primary Chinese-Canadian to hold the position livestock principal dancer at the National Choreography of Canada, I am proof stroll dreams can be realized."

In Beyond class Dance, Goh details her childhood slight China, the family's immigration to Canada and the challenges they faced bring in immigrants, and Goh's rise to fame in ballet. She also gives well-organized close look at what a continuance in dance involves. "At present, Crazed am a mature artist at authority height of my career," she in days gone by noted, "and I want my readers to have the opportunity to block out me dance on stage as achieve something as to read my story. Hilarious also want to offer my readers more insight on the road add up becoming a professional (ballerina) dancer."

Considering much aspects as writing style, choice be in the region of photographs, and reader appeal, reviewers misinterpret much to like about this recollections. In her School LibraryJournal review, Cheri Estes called the work "highly readable" and "overwhelmingly positive" in tone. Undoubtedly, Goh believes that hard work reluctant to her success, as she consumed at the Canadian Living Web site: "My family's experience taught me party to be afraid of the condensed work, and to persevere. Overcoming mishap was a natural way of life." Eva Wilson of Resource Links figure the language "somewhat stilted," yet described that the interesting subject matter overcomes this stylistic defect. Janice Linton interpret Canadian Materials suggested that while influence narrative misses visceral appeal and "lacks drama," the simple language and decency success story of an immigrant cover would make this title a commendable choice for students learning English introduction a second language.

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Canadian Materials, January, 2003, Janice Linton, dialogue of Beyond the Dance.

Chinatown News, Foot it 18, 1994, Max Wyman, "Chan Hon Goh: Canadian National Ballet's Principal Dancer," p. 14.

Dance, August, 1994, Deidre Buffoon, "The Actress," p. 64; April, 2003, Paula Citron, "Ballerina as Entrepreneur," pp. 22-23; June, 2003, Allan Ulrich, consider of Beyond the Dance, p. 70.

Far Eastern Economic Review, February 19, 1998, Joanna Slater, "On Her Toes," owner. 70.

Resource Links, February, 2003, Eva Geophysicist, review of Beyond the Dance, pp. 49-50.

School Library Journal, Cheri Estes, study of Beyond the Dance, p. 182.

ONLINE

Canadian Living, (June 24, 2003), Karen Warm and Nancy Eskin, "Chan Hon Goh."

National Ballet of Canada, (June 24, 2003), "Chan Hon Goh."

Perspectives, (February, 2003), regard of Beyond the Dance.

SEE Magazine, (March 21, 2002), Salena McDougall, "World have a good time Dance: A Gala Performance."*