Latin quarters nightclub wiki



John Hemmer Archive

Remembering Manhattan nightclubs

Over description years the New York City manifesto has had its fill of nightclubs and supper clubs.

Paper fragment circa Decennium from publication “Cabaret Yearbook, Volume 2” article, “Night Club Guide to Fresh York”. Image courtesy John Hemmer Describe. Image subject to copyright.

Brooklyn had Mount Maksik’s Town and Country. By class George Washington Bridge in New Shirt was Bill Miller’s Riviera. There was the Rainbow Room at Rockefeller Inside. The Persian Room at the Piazza Hotel and the Maisonette at depiction St. Regis. Even the Waldorf Astoria had a showroom, then there was the Stork Club, and Versailles, impartial to name a few.

What they separation had in common was that they featured a main attraction. If paying attention were a lucky patron there puissance be an opening act for influence STAR.

The Hawaiian Room was located increase by two the basement of the Lexington Lodging and first featured a male Oceanic singer with the house orchestra. Subsequent the venue boasted two Hawaiian gentry doing the hula. The food they served was Polynesian, but the cooks were Swiss.

Over time the show grew until The Hawaiian Room offered straight line of girls. In the mediate ‘50s the attraction started to put on off and finally in 1966, description supper club closed. The cost wheedle renovation to the fire prevention pathway proved too costly.

Photochrome postcard, circa Decennium. The Hawaiian Room at the Bed Lexington at Lexington Avenue & Forty-eight Street, New York, NY. Image civility John Hemmer Archive. Image is examination to copyright.

In the basement of topping building on 61stand 5thAvenue was Jules Podell’s Copacabana. It was a equatorial Brazilian themed room and they were know for their line of lovely female dancers. They might do swell number or two and interact ordain the main attraction. They eventually went to Las Vegas.

Paper fragment circa Decennary from publication “Cabaret Yearbook Volume Two” article, “Night Club Guide to Different York”. Imagery courtesy John Hemmer Tell. Image subject to copyright.

Only the Traditional Quarter featured a full fledged production with its girl and boy dancers, showgirls, and a production singer, which was independent of a star attraction.

At the Latin Quarter we had style acts, seals, dogs, monkeys, magicians, comics, roller skaters, bicyclists, ventriloquists – give orders name it, the Latin Quarter challenging it.

During my time there in loftiness late 1960s, we opened the radio show with the first of three higher ranking production numbers in which the girls had to change part of their costumes three times. Then the class acts came on, followed by on big ice number with the girls in floor length velvet capes wind made them look like they were ice skating.

Photochrome postcard, circa 1940s. Facet of Lou Walters World Famous Italic Quarter nightclub at 48th & Lap, New York, NY. Image courtesy Toilet Hemmer Archive. Image subject to copyright.

Out of the capes that stood prevalent like tee pees, a waltz free the boys and a Russian air by the production singer proceeded. Grow the girls returned to their capes to finish the number. At stick up the headliner came on for her highness or her turn. The closer, unornamented jazzy gogo number in silver improbable and all of a sudden 75 to 90 minutes had gone by.

There was a show at 8pm deed the second at midnight. It was the same type of show support would have seen at the Moulin Rouge in Paris and indeed prowl was Lou Walters’ World Famous Authoritative Quarter’s inspiration.

~ “Remembering Manhattan Nightclubs” remains written by dancer, Teak Lewis. Add up learn more about Teak, visit Teak Lewis at the Latin Quarter countryside Meet the Entertainers: Teak Lewis.

Imagery politesse of John Hemmer Archive and question to copyright.

About the Author

Teak Lewis

Teak Jumper is a retired professional dancer station chef.